GFW – Bath and Bristol

Sophie Jones

Using a mixture of neutral greys and beige’s there were injections of coral orange and splashes of lilac. The vibrant colour palette with the sheer fabrics made each look feel summery and fun. There were cute cropped capes hanging loosely off the shoulders and prints of curved stripes across leggings. The collection was beautifully cohesive and fluent.

 

Isabella Kent Webb

 

Taking inspiration from the 1940’s there was a frivolous atmosphere to the garments. With double layered polka dot dresses in silk chiffons the light blue and grey colour palette made each outfit look effortless and chic. Hints of oversized bows emphasised the dresses and gave it that extra oomph, giving in to that feminine figure. A small dog print was revealed on silk shirts which was a nice added detail to the collection.

 

Sophia Hallam

 

War inspired, there were prints of soldiers at war in simple blocks onto shirts and skirts. The bright mustard yellow and dark navy blue colour palette made the collection look chic overall. With translucent navy dresses, wool folded squares covered the models modesty, which was cleverly done.

 

Katie Mills

 

Another collection inspired by the 1940’s this had an almost Dutch feel to it. With aprons imposed onto dresses with maroon woollen jumpers underneath. There were long length woollen coats with checks over the top paired with baby pink shirts dresses. Small ditsy prints were exposed subtly into the shirts and cute buttons were places on the back.

 

Saski Ford

This very masculine tailored suit collection was interesting to the eye as it maintained a feminine slim physique. Using dark grey as the main colour, electric blues brightened up each garment. Three-quartered length trousers were featured in a boyish manner matched with a waistcoat, the tailoring was beautifully done.

 

Olivia Daniel

 

Taking a very fluid approach to her collection, each look revolved around a shirt and a drop hem sheer dress over the top. With seams not hemmed, there was soft fraying which added to the aesthetic of the collection bringing a natural feel to the outfits. With a dress made from leather it was paired with a soft falling cardigan.

 

Natasha Knights

 

Choosing a pastel colour palette of coral oranges and faded lilacs, the choice of fabric worked cohesively with the colours. Skirts of dresses were creped adding texture to the simple shifts. A beautiful backless caped was featured with exquisite silver beading detailing which shimmered beautifully down the catwalk. There was a glamourous youthful feel to the collection which made it seem all the more chic.

 

Angharad Mead

 

Following the trend of block colouring, there were bold looks stomping down the catwalk. With oversized strap dresses worn over the top of woollen shirts, the contrast of aqua green and shocking purple worked well. Also incorporating floral patterns, one outfit showcased three different garments all in three different floral prints. And small detailing of scaling was interesting and unique.

 

Nicola Chisnall

 

One of my favourite collections in the show, this designer presented a unique fresh look to the catwalk. Using plastic fringe on the shoulders created a dramatic appeal. The zig zag pattern was mainly featured on boxy shifts but made from plastic, using colours such as canary yellow and sea blue it made quite the statement. Brilliant use of fringing, colour and length.

 

Edward Lord

 

A fierce simple yet elegant approach to winter, his drop hem dresses which skimmed the floor billowed gracefully down the catwalk. The varied shades of grey were stunning in the silk fabrics. The whole collection was cohesive and aerie, with a gorgeous waterfall fur jacket and a dress which literally took over the stage, it was a stunning collection.

 

 

By Sannita Hancock

 

Photography by Luke Charles