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Art SPY

20-05-2008   


 

Welcome to this week’s Art SPY

‘Art SPY’ brings you a selection of various Artists and Galleries that we find simply delightful!

This week Art SPY  previews a selection of artists all unique in their own way and all representing a fresh approach to the Art world.

Have you ever looked at a picture form an artist and felt moved by the colours and overall style and mood of the picture? Can certain images conjure up feelings, which make you feel happy? I believe they can!  The artist I am about to discribe, is a true genius, she works in the most amazing ways.

I was struck by the way in which this artist uses colour and shape. It was, to me, the most amazing display of artwork that I had seen in a long time – I was so enthralled when I saw her work that I started talking to the people on the tube about it, to which they grunted back at me, I eagerly jotted down the name of this artist ‘Chiho Aoshima’

All of her painting are done on a Macintosh G4, she has never picked up a paintbrush physically it’s all done on the MAC

“From the very beginning, my work process has been purely digital rather than handmade.”

I could instantly tell that this had to be a Japanese artist…I have a fascination with anything Japanese and I find their style of drawing totally unique and distinguishable. They have mastered a style that we here in the West do not have.

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Chiho Aoshima The Red Eyed Tribe, 2000 19 5/8 x 137 3/4 inches, chromogenic print © 2000 Chiho Aoshima/Kaikai Kiki Co., Ltd  All Rights Reserved.

Background information

Chiho Aoshima (Chiho Aoshima) born 1974, Tokyo, Japan) is a Japanese pop artist and member of Takashi Murakami’s Kaikai Kiki Collective. Aoshima graduated from Department of Economics, Hosei University, Tokyo. She had a residency at Art Pace, San Antonio, Texas in 2006.


Chiho Aoshima City Glow, 2005 Chromogenic print 66.93 x 66.93 inches © 2005 Chiho Aosihma/ Kaikai Kiki Co., Ltd. All Rights Reserved. Debuting in the art scene with no formal art training, Chiho Aoshima’s work transcends traditional techniques of representation.  Aoshima uses computer software to create beautiful and erotic worlds of ghosts, demons, schoolgirls, and exquisite natural landscapes.

She constructs her works with such elements as bodily fluids, reptiles, insects, and old, concrete buildings.  Her works are audaciously enlarged and printed by heavy-duty printers, not only onto papers but also onto leather and plastic surfaces , giving her works the sense of transcendence of both art and illustration.

“My work feels like strands of my thoughts that have flown around the universe before coming back to materialize,” Aoshima states. 

Aoshima’s work has garnered international renown with a number of high profile projects.  She collaborated with Issey Miyake in 2003, with her artwork featured in the spring/summer collection. 

In 2004, she was invited to participate in the 54th Carnegie International at the Carnegie Museum of Art, Pittsburgh, where she unveiled her largest wallpaper piece to date, measuring 106 feet (32.5m ) in length by 15 feet (4.8m ) in height.

In a solo show in 2005, Aoshima presented both her first sculptural work and a 5-screen 7-minute animation piece. She had a residency at Art Pace, San Antonio, Texas in 2006. This young graphic artist began in Murakami’s factory with no formal art training.

In May 2005, as part of the Little Boy project, her ecologically-themed “City Glow” and “Paradise” series covered ad spaces throughout the Union Square subway station in New York, greeting commuters as they passed. This was repeated in Gloucester

Road tube station in London in 2006.


Other work by Chiho…

Strawberry Fields, 2003 33 1/2 x 55 inches, chromogenic print,  2003 Chiho Aoshima/Kaikai Kiki Co., Ltd  All Rights Reserved.

Magma Spirit Explodes. Tsunami Is Dreadful, 2004 34 1/4 x 228 inches, chromogenic print © 2004 Chiho Aoshima/ Kaikai Kiki Co., Ltd  All Rights Reserved.

 

A Contented Skull, 2003 55 1/4 x 114 1/2 inches, chromogenic print © 2003 Chiho Aoshima/Kaikai Kiki Co., Ltd  All Rights Reserved.

 

The Birth of the Giant Zombie, 2001 32 3/8 x 88 5/8 inches, digital print © 2001 Chiho Aoshima/Kaikai Kiki Co., Ltd.  All Rights Reserved.

Sublime Grave Dweller Shinko, 2004 28 x 118 inches, digital print for chromogenic print © 2004 Chiho Aoshima/ Kaikai Kiki Co., Ltd  All Rights Reserved.


Contact Deatils:

http://www.chihoaoshima.com/index.htm

Vanessa Camelia




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