GFW – Northumbria

 

Julie Yeung

Following the trend of block colouring, this collection revolved around this look. Having whole outfits in one colour but of different hues and fabrics. Using a variety such as silk, suede and satin, it adds complexity to the simple silhouettes. Varying from bright colours such as aqua blue and grass green, there were also demure browns and maroon reds. With clean cut geometric shapes gliding down the catwalk the bold colours made a statement.

Marielle Fay Renwick

This quirky little collection reminded me of countryside chic. Using Roosters as the main focus of the looks, the animal was knitted into jumpers and cardigans. Newton focuses on using traditional knitting techniques yet interprets them as sophisticated modern women. The textures and patterns represent the rural lifestyle of the 1940’s land girls. Materials such as Merino and silk were stitched, striped and rippled to produce an easy silhouette.

Ellen Barnes

This collection was one of my favourites, inspired by the 1950’s there was a definite contemporary twist to all the looks. With an trench like jumpsuit made from mohair wool in a Prince Of Wales fabric it was one of the most chic silhouette’s I had seen. The simple bow going round the waist added the feminine touch one would need. The next look being a simple grey figure hugging dress was divine with the neckline being a blazer cut, with lapels covered in sequins it was stunning. With A-Line silhouettes as outerwear, it was a perfectly tailored collection.

Jennifer Broom

Playing with volume to flatter the womanly physique, Broom focuses on the waist to maintain the femininity. However she likes to combine masculinity elements into her garments. Taking inspiration from RAF Pilots and parachute strapping, it’s obvious how it has translated into her clothes. Using soft greys and beige she brightens it up with satin reds and deep blues to enhance her collection. The harnesses which restrict the silk dresses relate back to the concept and ideas of the RAF Pilots and parachutes.

Lauren Wroe

The collection was inspired by both the 1940’s and 50’s, taking the concept of zero-waste, she has created patterns which eliminate waste by using the entire width of the fabric. Wroe strongly considers the environmental issues surrounding the fashion industry. Her looks overall were feminine and classy, providing textured dresses of pleats and layers. The models graced down the runway with subtle details such as blacked collars and the use of unusual fabrics.

Jodie Richardson

Opening with wide leg trousers and a trench coat, the elegant wool coat displayed and effortless silhouette which compliments the female form which is also done by playing on proportion. There is a hint of androgyny with high waisted linear trousers and capes with lapel’s. Creating tailored beauties from silk crepe de chines and silk cottons, she has created textures which break up the traditional checks she has used.