Ancient Egypt came alive like the waking of the dead in Bryce Aime's A/W 10 collection entitled 'Egyptology'.

Delving into the darker side of the ancient Egyptian dynasty. Parisian born and bread, Bryce is known for his love of architecture and philosophy, adopting a technical approach and creating collections with an emphasis on structure and attention to detail.

Tailored pieces dominated constructed with linear symmetry  emulating the decorative scarab beetle, with panels, arched hemlines and dissected layers. fitting dresses featured inserts with distressed metallic overlays, creating a dulled sense of opulence like the gilted sarcophagus, marred with decay. Aside from glimpses of purple appearing in graphic prints, the colour palate was dark and sinister with shrouds of black and metallic red wine and pewter dominating the show.

Bryce brought the ancient reference up to date using graphic bandage prints appearing on epidermal layer tights and long sleeve tops and again on a knife pleated 'Shendyt' which is a kilt of sorts, worn by Pharaohs and warriors alike in Ancient Egypt. G statement zips were featured on leggings  appeared to slash the outer leg seams in repeat horizontal gashes adding to the modern feel.

Mini cape-lets were wrapped around the shoulders in a pelmet shape. Tailored jackets featuring extended cape collars take on the form of Egyptian circular neck plates. The volume and structure explored in the upper body commands a touch of austerity and power that is balanced by neat waistlines, and body skimming silhouettes. Armoured body-con jumpsuits fitted out with studs and zips add a touch of hard edge heroine, channelling Joan of Arc. Models wore black turbans,  masking the femininity of long hair and adding to the androgynous feel.    interlacing ribbon corset panels and the use of shiny black leather and sheer black chiffon gave a provocative yet understated sex appeal.

A simple understated collection that gives us the side of Egypt we are not normally accustomed to, Bryce's masterful tailoring shines through and is in no need of sugar coating or dressing up.

Lynsay McConachie

Images Andy Espin